no triangle studios
3D rendering of the pool deck at Torres Acacia in Monterrey, a long turquoise pool running along the slatted tower base, timber decking with green loungers, and glass-walled amenity rooms behind.

Case study

Torres Acacia

Twenty-three marketing renderings for the residential towers of a new mixed-use district: nine amenity spaces and the model units of four home types.

San Pedro Garza García, Monterrey, Mexico

Project at a glance

NoTriangle produced the amenity and model-unit rendering package for Torres Acacia, the residential towers of a new mixed-use district in San Pedro Garza García, Monterrey. Twenty-three images: nine shared amenity spaces and fourteen residence interiors across four unit types, with the Sierra Madre in nearly every window.

Client
A real-estate branding agency, name withheld
Building type
Residential towers in a mixed-use district
Location
San Pedro Garza García, Monterrey, Mexico
Purpose
Marketing and sales imagery
Scope
23 renderings, fourteen residence interiors across four unit types and nine amenity spaces
Delivered
2018
Dusk 3D rendering of the BBQ deck at Torres Acacia, concrete planters and a dining table under a timber pergola, grills along the parapet, and the lights of Monterrey and the Sierra Madre beyond.
The BBQ deck at dusk, grills along the parapet and Monterrey's lights beyond

The project

A District's Residential Heart.

Torres Acacia is the residential side of Distrito Armida, a mixed-use district rising in San Pedro Garza García on Monterrey's south side, where the city runs up against the Sierra Madre. The towers hold one- to three-bedroom homes above a shared amenity program broad enough to fill two briefs: a pool deck, lounge bar, communal kitchen, cinema, game room, yoga studio, fire-pit terrace, BBQ deck, and a pet park.

NoTriangle was brought in by the project's branding agency, whose name stays confidential here, to render that whole world before it existed. The package was produced in 2018, working from plans and delivered in grouped batches through the fall, twenty-three images that had to sell both the private homes and the life shared between them.

Dusk 3D rendering of the communal kitchen at Torres Acacia, a long set dining table by full-height glazing with mountain views, dark cabinetry with a backlit stone splashback, and a lounge corner in front.
The communal kitchen, a long table set for dinner against the mountains

The amenity floors

Nine Rooms of Shared Life.

The nine amenity renderings run from morning to night: sun on the yoga mats and the billiard tables, dusk on the pool deck and in the communal kitchen, and full night at the fire pit, where a sunken bench circle burns in a garden of palms. Each space is staged mid-use, popcorn in the cinema's cup holders, a table set for dinner, mats unrolled, so a buyer reads a way of living rather than a floor plan.

The material language holds steady across all nine: warm oak millwork, concrete, blackened steel, and the same dusk light that flatters the Sierra Madre views. Rendered together, the spaces feel like one building rather than nine separate promises.

Interior 3D rendering of the lounge bar at Torres Acacia, timber-slatted walls and concrete columns over rows of wood-framed armchairs, pendant lights, and a bar with a TV wall at the back, city dusk outside.
The residents' lounge bar, oak slats, concrete, and rows of armchairs facing the bar
Interior 3D rendering of the game room at Torres Acacia, two wood-based billiard tables on woven rugs, oak-paneled walls with TV screens, and full-height glazing with mountain and city views.
The game room, billiards under daylight with the city through the glass
Interior 3D rendering of the private cinema at Torres Acacia, black leather recliners with cup holders of popcorn and drinks, backlit wall slats, framed movie posters, and a film playing on the screen.
The private cinema, popcorn in the cup holders and a film already running
Night 3D rendering of the fire-pit terrace at Torres Acacia, a sunken gravel circle with a burning fire bowl, timber benches and a set dining table, surrounded by dense tropical planting.

The fire pit

An Evening in the Garden.

The fire-pit terrace was rendered at full night, a sunken circle of gravel and timber benches in a garden of palms, the table already set. Amenity spaces like this one are bought on atmosphere, not square meters, and night light is where a rendering can promise an evening rather than describe a terrace.

The residences

A Green Thread Through Every Home.

The fourteen residence renderings cover the model units of four home types, and one element carries them all: sage-green built-in millwork, a desk wall in one home, a media wall in another, bedroom shelving in a third. Around it, pale kitchens, gray stone floors, and windows full of the Sierra Madre or the Monterrey skyline, depending on the camera.

Several key cameras were delivered in two versions with the staging subtly varied, giving the sales team a choice for each room without breaking the set's single design language. The result reads as one family of homes at different sizes rather than fourteen separate pictures.

Interior 3D rendering of a model-unit living and dining room at Torres Acacia, a taupe sofa and wood dining set against a sage-green shelving wall, with floor-to-ceiling glazing and a city view.
The model unit's living and dining room, the green media wall running to the kitchen
Interior 3D rendering of a model-unit bedroom at Torres Acacia, an upholstered bed with layered linens beside a green built-in shelving wall, and the Cerro de la Silla mountain framed in the window.
The bedroom, with Monterrey's Cerro de la Silla framed in the window
Interior 3D rendering of an open-plan residence at Torres Acacia, a gray sofa and patterned rug in front of a pale kitchen wall with a set dining table under a brass pendant, city towers in the window.
An open-plan residence of a second home type, kitchen and dining behind the living room
Panoramic interior 3D rendering of a model unit at Torres Acacia, a full sage-green millwork wall with desk, shelving and artwork, opening to a round-table dining corner at panoramic windows.
The home-office wall in panorama, one piece of millwork from desk to dining

The package

Twenty-Three Rooms, One Address.

Delivered as a set, the twenty-three images gave the marketing effort a complete interior life for the towers: every amenity floor and every home type, rendered in one consistent language of oak, concrete, sage green, and mountain light.

A package at this scope is a piece of world-building as much as a set of renderings, the same building told from the fire pit in the garden to the desk in the home office, so that every image a buyer meets feels like a different room of the same address.

Questions

Rendering a Residential Tower's Whole World

What is Torres Acacia?
Torres Acacia is the residential component of Distrito Armida, a mixed-use district in San Pedro Garza García, Monterrey, with one- to three-bedroom homes above a large shared amenity program: a pool deck, lounge bar, communal kitchen, cinema, game room, yoga studio, fire-pit terrace, BBQ deck, and a pet park. NoTriangle rendered the amenity floors and the model units.
What did NoTriangle produce for Torres Acacia?
Twenty-three renderings: nine shared amenity spaces and fourteen residence interiors across four unit types, with several key cameras delivered in paired versions so the sales team could choose. The package was produced in 2018 through the project's branding agency, working from plans while the towers were still unbuilt.
Why does this case study not name the client?
The renderings were produced for a real-estate branding agency under confidentiality, so neither the agency nor the developer is named here. The arrangement is common in agency work: the studio delivers the rendering production behind the brand and campaign the agency leads, under whatever credit terms the engagement calls for.
Can the same space be delivered in several versions or schemes?
Yes. On Torres Acacia several key cameras were delivered in paired versions with the staging subtly varied, giving the sales team a choice for each room while the set kept one design language. The same mechanism handles finish and color schemes: once a camera and its light are locked, a space can be dressed more than one way without breaking the family.

Start with a discovery call

Eddie Kingsnorth runs the first conversation. The call is where we understand the project and whether we're the right studio to do the work.