no triangle studios
3D exterior rendering of an Austin Surf Club cottage in Texas, showing the rear elevation in vertical timber cladding with twin gabled roofs, a covered outdoor kitchen, a plunge pool, and native prairie planting.

Case study

Austin Surf Club

A members-only surf community from Discovery Land Company and pro surfer Kelly Slater, built on the former NLand Surf Park site, where one material language carried across cottages, duplexes, suites, and more, then went straight into the club's marketing.

Austin · Texas

Project at a glance

Austin Surf Club is a members-only surf community from Discovery Land Company and pro surfer Kelly Slater, built from several distinct home types around a man-made surf basin. NoTriangle produced its visualization phase by phase, turning an evolving design into renderings the club could market and decide from while the architecture was still being refined.

End client
Discovery Land Company
In partnership with
Kelly Slater
Location
Austin, Texas
Asset type
Members-only surf community
Home types
Cottages, duplexes, suites, and more
Material palettes
Wave, Cliff, Sand
Scope
40 renderings across 20 homes
Package cost
$40,000 to $60,000
Deliverables
2K then 4K, plus layered PSD files
Engagement
Phased, across successive scopes
3D exterior rendering of a suite at Austin Surf Club in Texas, a single-story home with a mono-pitch roof in warm timber and stone, a paved entry path, and native prairie grasses and trees around it.
Every home built on one family of stone, timber, and tongue-and-groove cladding

The challenge

Many Homes That Had to Feel Like One Place.

Austin Surf Club was not a single building but a community of homes, cottages, duplexes, and suites, that all had to read as one place. The architecture was still being refined when visualization began, and the developer needed renderings they could use right away: to market the homes, to align the design team, and to help members make decisions about their own residences.

Several things made that hard. Each home had its own massing, but the community had to feel like a single, coherent destination rather than a set of unrelated buildings. Materials, rooflines, and landscape were still being decided, so the renderings had to keep pace with the changes instead of waiting for a final, frozen design. The homes drew on a set palette of stone, timber siding, and tongue-and-groove cladding, following the project architects' design intent, and every view had to stay true to it while still introducing contrast between homes.

And the schedule was fast. The team was producing and presenting renderings on a tight timeline, often putting new images in front of stakeholders within days.

3D exterior rendering of Cottage A at Austin Surf Club, a two-story home in weathered vertical timber with twin gabled roofs, an attached garage, and native Texas planting.
Cottage A, front elevation
3D exterior rendering of Scheme B at Austin Surf Club, showing a stone base and bleached timber upper level, an attached garage with a surfboard, and a vehicle on the drive among native grasses.
Scheme B, an alternate material direction on the same camera angle
3D exterior rendering of Cottage B at Austin Surf Club, a two-story home in bleached vertical timber with a double garage and a surfboard, set in a wildflower meadow with agaves and a paver drive.
Cottage B, bleached timber over a paver drive
3D exterior rendering of the rear of Cottage B at Austin Surf Club, in dark timber over a stone base, with a pergola-shaded terrace, an outdoor kitchen and dining, a plunge pool, and native prairie grasses.
Cottage B rear, a pergola terrace and plunge pool

The approach

A Repeatable Process, One Home at a Time.

We ran the work as a structured, repeatable process rather than a one-off batch of images, so each home could move from concept to final visual without losing the thread that tied the community together:

  • 01 White model first, then color. For each home, the camera angles and massing were locked in a white model before any material or color was applied, so the developer approved the composition before we committed to a full render.
  • 02 A feedback call per home. Rather than trade revisions by email, we held a working call for each house to resolve materials, lighting, and landscape together, which kept a fast schedule from turning into rework.
  • 03 Consistent angles and light. Camera positions and lighting were held steady across schemes A and B, so two material directions for the same home could be compared like for like, and whole sets were re-lit from a flat midday to a warmer golden hour when the marketing called for it.
  • 04 Built to keep using. Each view was delivered first at 2K to hit fast deadlines, then upgraded to 4K, and handed over as layered files the club's marketing team could adjust on its own.

Because every home moved through the same stages, the renderings could keep pace with an evolving design while the community held together visually, one house at a time.

3D exterior rendering of the North duplex at Austin Surf Club, a three-story home in dark timber over a tan brick base, with a double garage, a surfboard, and a vehicle on the drive among purple sage and grasses.
Duplex North, stacked timber over a brick base
3D exterior rendering of the rear of the North duplex at Austin Surf Club, with stepped pergola-shaded terraces, a plunge pool, brick and timber walls, and native planting.
Duplex North rear, stepped terraces and a plunge pool
3D exterior rendering of the rear of the South duplex at Austin Surf Club, with an infinity-edge pool and timber steps, a deep pergola-shaded terrace, slatted timber screens, and lush native landscaping.
Duplex South rear, an infinity-edge pool and pergola terrace
3D exterior rendering of a home's rear in the Scheme B palette at Austin Surf Club, a three-story stone-and-timber massing with a pergola-shaded terrace, an outdoor kitchen, and a plunge pool.
Scheme B carried to the rear of the home
3D exterior rendering of a duplex at Austin Surf Club, a three-story stacked massing in mixed dark and bleached timber with balconies, a stone base and garage, set among native landscaping.

The palettes

Wave, Cliff, and Sand: One Family of Materials.

The same materials, stone bases, timber siding, and tongue-and-groove cladding, ran through three named palettes, Wave, Cliff, and Sand, carried across every home in the community. The combinations were varied from house to house so each home had its own character, without ever breaking the identity that made the club read as one coherent destination.

Material direction

Rooted in the Hill Country, Built for Surf-Resort Life.

The look was rooted in the Texas Hill Country and in the relaxed, outdoor life of a surf resort. Stone bases grounded the homes; vertical timber and tongue-and-groove siding, in both dark and bleached tones, gave the upper levels warmth and texture. Native prairie grasses and drought-tolerant planting tied every home into the landscape rather than sitting on top of it.

The lifestyle cues were deliberate: covered terraces and outdoor kitchens, plunge pools, and the occasional surfboard leaning by a door, all there to help a buyer feel the way the community would actually live. Interiors carried the same restraint indoors, with quiet, natural materials so the focus stayed on light and space.

3D exterior rendering of Slater Shack A at Austin Surf Club, a gabled home in bleached timber over a stone base, with a garage, a surfboard, and native grasses along a paver drive.
Slater Shack A, a gabled home in bleached timber and stone
3D exterior rendering of the rear of Slater Shack A at Austin Surf Club, with a pergola-shaded terrace, a plunge pool, Adirondack chairs around a fire pit, and native planting.
Slater Shack A rear, a fire pit and pool among the grasses
3D exterior rendering of Slater Shack B at Austin Surf Club, twin gabled timber volumes over a stone base, with a double garage, a surfboard, and purple sage and grasses.
Slater Shack B, twin gabled volumes over a stone base
3D exterior rendering of the rear of Slater Shack B at Austin Surf Club, with a pergola-shaded terrace, an outdoor lounge and dining, a plunge pool with a fire pit, and lush native planting.
Slater Shack B rear, a covered terrace and pool
3D exterior rendering of a suite rear terrace at Austin Surf Club, with a vine-draped pergola over an outdoor kitchen and lounge, a plunge pool set into stone paving, timber and stone walls, and native prairie grasses.
Rear terrace and plunge pool, on the relaxed surf-resort lifestyle the renders had to convey

The outcome

The Renderings Went Straight Into the Club's Marketing.

As each home was delivered, the club's team put the renderings into its marketing materials and sent them out to members, and used them in meetings to present the duplexes and the other home types. Across the engagement the visuals did three jobs at once: they showed the community before it was built, they gave the design team a shared reference to align around as decisions were made, and they helped members choose finishes for their own homes.

Because every home was built on the same process and the same material language, the community held together visually even as it grew one house at a time. Architecture was approved before the final color renders were produced, so the images reflected real, signed-off design rather than a guess.

The work also continued across successive phases and scopes, from the first cottages through duplexes, suites, and beyond.

Questions

Rendering a Resort Community

How do you keep a community of different home types looking like one place?
At Austin Surf Club, every home was built on a single family of materials, stone bases, timber siding, and tongue-and-groove cladding, organized into three palettes called Wave, Cliff, and Sand. The combinations were varied from house to house so each home had its own character, while shared camera angles, lighting, and landscaping kept the whole community reading as one coherent destination.
Can you render a development while the design is still changing?
Yes. For Austin Surf Club we locked each home's camera angles and massing in a white model first, then applied materials and color once the composition was approved, and held a feedback call for each house to resolve materials and lighting together. That process let the renderings keep pace with an evolving design instead of waiting for a final, frozen set of drawings.
What are these renderings actually used for?
Beyond a website, the Austin Surf Club visuals went straight into the club's marketing materials and sales presentations, gave the design team a shared reference while decisions were still being made, and helped members choose finishes for their own homes. The same images did marketing, design alignment, and member decision-making at once, across a phased engagement. At 40 renderings across 20 homes, a program like this falls in the $40,000 to $60,000 range.

Start with a discovery call

Eddie Kingsnorth runs the first conversation. The call is where we understand the project and whether we're the right studio to do the work.